Matthew Heineman’s new documentary, City of Ghosts, focuses on RBSS (Raqqa is Being Slaughtered Silently), a group of citizen activists who documented the path of destruction and death inflicted on the city of Raqqa in 2014. The group set out to witness the crimes of both the Bashar Al-Assad regime and ISIS (Islamic State of Iraq and the Levant) through active reporting, including the secret filming of events leading to the fall and capture of Raqqa.
Extensive footage shows how ISIS rose to power in Syria, seemingly on the back of Assad regime protests around democracy, and how RBSS silently filmed them to ensure that there was a historical record of the atrocities that would be committed, which unbeknownst to RBSS would eventually amount to genocide and Crimes against Humanity. From the inception of ISIS arriving in the city, to the realisation that they were worse than Assad’s pro-government forces, the documentary frighteningly captures the nightmare that besieges Syrians daily.
ISIS trucks parade through the city centre with crucified hostages, beheaded bodies line the footpath outside a popular park, while mainstream and western media remain silent.
The film’s focus is on RBSS communicating to the international community the atrocities taking place, and pleads with it to spread the news of what is occurring in Syria.
Extremely confronting, City of Ghosts is essential viewing for those interested in the rise of ISIS and how citizens are able to bear witness for generations to come.
City of Ghostsscreens at Hoyts Melbourne Central on Saturday 5 August at 9:15pm and on Sunday 20 August at 4:15pm.
Imaging living under the threat of being killed by an unmanned aircraft at any moment. This is the reality of villagers living in Pakistan or Yemen who face extrajudicial killings from the United States, whose use of drones is highly questionable in the continued War on Terror. While the hunt for Al-Qaeda continues, it is the unarmed citizens that face indiscriminate maiming and death.
Tonje Hessen Schei’s Drone is a highly controversial documentary that features interviews with former drone operators, heads of defence, dissidents and concerned citizens who have been involved in one way or another in the drone war occurring across Pakistan. It tells the story of how the United States Government wages a war from the sky; a war that involves young, indoctrinated military men pressing the trigger and blowing up civilians under the guise of protecting US interests. A drone manufacturer in the film remarks that “war is the opportunity to undertake business” and Schei does well to illustrate this point;
drone warfare is both a business opportunity as it is a merchant of death.
Drone also discusses the phenomenon of ‘Militainment’ – where the world of military games meets military intent. Scarily, the US military is described as having invested in creating games that are used for recruitment tools. In this sense, the film illustrates how drone warfare becomes a normalised activity where emotion and humanity is stripped from those pressing the trigger and where, because the activity looks like a computer game, the media becomes used to seeing images on television of drone attacks against ‘militants’.
Drone is a must see film for those interested in the future of warfare, as well as human rights activity in a world with increasing electronic and unmanned warfare.
The media reports that thousands of children arrive on European shores as unaccompanied minors, although little is known or reported about what happens once they arrive. Michael Graversen’s Dreaming of Denmark follows the story of Afghani Wasiullah, who came to Denmark as an unaccompanied minor seeking asylum.
Wasiullah is an 18-year-old with a failed asylum bid who absconds to a new life in Italy, hearing that it is easier to obtain official status there than in Denmark, where he has been staying in a centre for the past three years.
The film personalises the plight of young refugees, seeking acceptance in their adopted homelands much the same way that young teenagers want to be accepted by their respective peers.
From sleeping rough to trying to fit in in a refugee centre, it sheds light on a seemingly forgotten demographic in the refugee debate. In this sense, Wasiullah is at once fragile as he is strong, he is both representative of the child refugee seeking asylum as a scared minor, as well as the young adult seeking his own way in a new land – one that has at times rejected him as well as embraced him.
Dreaming of Denmark is of interest to those whom has wondered what happens to those children who seek asylum in countries as unaccompanied minors – does their adoptive country embrace or dispel them?
Blood Year: Islamic State and the Failures of the War on Terror | David Kilcullen | Black Inc.
As the Islamic State claims responsibility for the recent terrorist attacks in Paris and Belgium, David Kilcullen’s bookBlood Year: Islamic State and the Failures of the War on Terror is essential reading that charts how this terrorist group –once believed to be a minor threat – spread from Iraq through to Europe and beyond, with gruesome consequences for all it comes into contact with.
Kilcullen’s critique of the lack of a competent strategy to defeat ISIS (as well as other terrorist branches) is honest as it is confronting. As part of the team that devised the post-9/11 strategy to deal with Al Qaeda affiliates and extremists, Kilcullen notes that their apparent failure to take into account the rise and expansion of ISIS across strategic states as Iraq, Afghanistan and Syria has had disastrous consequences that have been felt most recently through the realisation of attacks in the heart of Europe.
The author is well placed to write a book on the rise of the Islamic State, with an impressive resume that includes being an Australian Army soldier, a civilian intelligence officer, and a United States government employee who served the Bush administration during the War on Terror and the Obama administration afterward.
… the terrorist threat that the War on Terror sought to quash is stronger, has access to a wider tactical network, and is more motivated to jihadism than ever before.
As a specialist in counter-terrorism, Kilcullen’s careful observations on policy and political campaigns, and their subsequent onground effect make for compelling reading – characterising some of the failures of 2014 to 2016 as “nothing less than the collapse of Western counter-terrorism strategy as we’ve known it since 2001”. The book underlines the fact that the terrorist threat that the War on Terror sought to quash is stronger, has access to a wider tactical network, and is more motivated to jihadism than ever before.
Kilcullen makes it very clear from the outset that his observations in Blood Year: Islamic State and the Failures of the War on Terror are driven from his personal experience as a key player in the theatre of war and the development and implementation of counter-insurgency and counter-terrorism strategy in the US and Australia.
That aside, his writing is backed up by comprehensive references that enable the reader to delve deeper into issues and situations if they so wish. From the fall of Mosul to the push by Russian and Syrian forces into Aleppo and surrounding villages, the book offers unique insight into the operations of ISIS as well as the State actors – such as the United States, France and Australia – attempting to deal with ISIS’s violent activities and threats.
Blood Year: Islamic State and the Failures of the War on Terror is a gripping read that will help readers make sense of how ISIS has arguably become the number one global terrorist threat.
