Transitions Film Festival – Samaya Argüello

Unsettled: Seeking refuge in America

Unsettled: Seeking refuge in America

Directed by Tom Shepard

Tom Shepard’s internationally award-winning documentary Unsettled: Seeking refuge in America opens with screaming and yelling and it quickly becomes apparent that a crowd are turning violent towards a young gay African male. The sentiment that ‘love is love’ does not ring true in the 70 odd countries where it is illegal to be lesbian, gay or transgendered. In fact, in four of these countries, if you are anything but heteronormative it is likely to be a death sentence.

The documentary follows the story of four LGBTQ asylum seekers fleeing persecution and mortal danger to San Francisco and attempting to start their own lives in the shadow of what they needed to leave behind – including family members who are violent and see nothing wrong with persecuting their children often under the guise of religion and culture.

Subhi Nahas left Syria when, in 2012, Al Qaeda affiliated groups targeted and killed young gay men, causing him to flee to Lebanon and then later Turkey where even former friends turned ISIS members threatened to kill him. Partners from Angola, Cheyenne Adriano and Mari N’Timansieme, had to leave after a family member tried to poison their food fleeing to the US first on student visas and having to apply for asylum from within the US which has its own complexity. Junior Mayema’s mother preaches against homosexuality in the Democratic Republic of Congo where violence is often used against gay members of society, and when harassed by the police UN decided to expedite his application for asylum.

Shot over four years it is clear that they are not alone in their journey to settle in the US, yet it is very difficult. Refugee and asylum advocates assist them in trying to not only find their place in their new home but to also navigate the inevitable bureaucratic process of seeking asylum – including the transition from Obama to the Trump administration. Since 2016 only an estimated 30% of asylum applications are successful so for Cheyenne and Mari it is a particularly harrowing time. As Junior experiences, even with an asylum visa it’s still not easy navigating life in a new country especially faced with the possibility of homelessness.

Unsettled: Seeking refuge in America is a tale of constant struggle and survival, but it is also a tale of hope that is offered in a new land that – for now – allows them to stay true to themselves.

For They Know Not What They Do: a review

Version 2 — film still, courtesy of QueerScreen

For they Know Not What They Do

Directed by Daniel G. Karslake

Following the United States Supreme Court’s ruling on marriage equality in 2015 there has been a concerted campaign to curtail LGBTQI+ rights, notably under the guise of religious freedom. Daniel Karslake’s film For They Know Not What They Do is an insight into the way in which religion, such as the values of the Evangelical Christian American, deeply impact the culture and politics of the US around LGBTQI+ identity and sexuality.

Taking the title from ‘The Gospel According to Luke 23:34’, which is often referred to as the ‘Words of Forgiveness’ the documentary focuses on the story of individuals who have come out to families who are deeply religious and who share their stories of trying to navigate not only familial expectations but community expectations as to their own identity. Some, such as Ryan Robertson seek solace in controversial conversion therapy that proclaim to ‘cure’ through scripture any non-heteronormative identities. Others, such as Sarah McBride who became the first transgendered women elected to public office in Delaware, become strong transgender advocates and raise awareness around LGBTQI+ rights in what can be argued to be a very politically conservative country.

The impact of religious attitudes towards LGBTQI+ rights are evident where there exists the ‘No Promo Homo Laws’ in some states such as Arizona and Texas which prevents teachers from discussing anything to do with identity and sexuality that is not heteronormative. Other states aggressively passed legislation under the guise of protecting religious freedom as a constitutional right which conversely limits LGBTQI+ rights in allowing for discrimination, examples included bills debated such as the ‘bathroom bills’ in North Carolina allowing for ID checks before entering into a bathroom designated as either ‘male’ or ‘female’.

Using fear and discrimination to propel community discussion around transgender identities saw political advertisements freely played on television stations across the nation and it’s apparent that the fearmongering creates a palpable level of concern amongst communities as to their own safety. Indeed, the danger surrounding the LGBTQI+ community in the US is also explored with Vico Baez Febo’s experience of a hate crime in Florida as well as Elliot Porcher inflicting self-harm on himself.

For They Know Not What They Do also interviews family members who themselves were grappling with their children’s sense of identity and explores how it might challenge their own deeply held belief system. Interspersed with interviews from other human rights advocates – including religious figures seeking to denounce religious extremism cloaked as piousness – the film examines the increase in hate speech and discrimination since the controversial 2015 ruling.

For They Know Not What They Do is compelling watching, not just for the individual stories who offer forgiveness and hope and understanding but in order to understand the massive issues that they face in contemporary US society – where religion is used actively to discriminate and to create fear and mistrust.

Originally published here.

Transitions Film Festival: Right Now’s Top Picks

The Whale & The Raven

Directed by Mirjam Leuze

Reviewed by Samaya Borom

Hermann Meuter and Janie Wray have interesting jobs. Based in a remote First Nations village in British Columbia Canada, it is their job as whale researchers, to study them in their pristine environment – an environment it appears that is increasingly under threat from a burgeoning Liquefied Natural Gas (LNG) industry and the massive tankers that now weave their way through the very path of the gentle giants.

Mirjam Leuze’s film The Whale & the Raven is set in Tsimshian Territory with the Gitga’at peoples who have lived in and around the coastline for over ten thousand years. Facing pipelines, tankers and possible environmental disasters due to an increasing interest in LNG, the film highlights the precarious position of First Nations people and researchers as they come together to try to protect against the loss of biodiversity and to safeguard the remote untouched environment.

The film centres around the study of possible impacts on the whale habitat from the LNG companies, yet it’s immediately clear it is not just the whales who will possibly be impacted. The decolonisation of the food system has impacted adversely on First Nations. Interspersed with First Nations knowledge and storytelling about their lands, it is also a tale of ensuring cultural heritage, environmental management and customs and way of life can be passed down to successive generations.

Beautifully shot, with an equally impressive soundtrack provided by different whale species, an abundance of other wildlife and the environment itself, The Whale & the Raven illustrates the threat facing both the First Nations and scientists trying to ensure survival of these magnificent creatures. It also tells the story of First Nations people struggling still against colonisation and its impacts.

Convoy

Directed by Matthew Newton

Reviewed by Samaya Borom

The Carmichael coal mine (Adani mine), based in Central Queensland near the important Galilee Basin is highly controversial. The Adani mine, run by billionaire Gautam Adani passed its final environmental approval hurdle in June 2019 despite multiple legal challenges from not only environmental groups such as the Australian Conservation Foundation but also traditional owners of the land, the Wangan and Jagalingou people whose sacred lands will be devastated and whose cultural heritage will be wiped forever.

Matthew Newton’s 2019 Convoy follows the Bob Brown Foundation when in April 2019 they lead a convoy of activists and concerned citizens from Tasmania to Queensland in protest. Featuring interviews and footage shot as part of the protest the film opens with a strong statement from Bob Brown: “I’ve been around politics long enough to know that in the run to an election the environment gets taken off every time and out come the bribes”. The priority for the protest, and for the foundation is to flip the narrative so that the environment and voters place within it is something that is thought of as they go into the ballot box”.

Brown has experience in running environmentally focused campaigns, the Franklin River Dam blockade in the 1978-81 protest being successful and resulting in the protection of pristine Tasmanian forest that we enjoy today. What might be surprising for some is that the documentary shows that support for the convoy ripples through all levels of society, from school teachers to farmers to children who are all concerned with the impact of the mine on not just Queensland but tying it into climate change issues which affect all. Indeed, a common theme was the sense of urgency in stopping the mine for the sake of the next generations and to prevent environmental catastrophe – something most Australian’s have experienced first-hand over summer. Convoy is also a story of hope and community, showing individuals that they are empowered and can be part of a force for change – given the current political environment this will be a space to watch.

Push

Directed by Fredrik Gertten

Reviewed by Samaya Borom

Fredrik Gertten’s film Push is timely, not just within Australian urban areas but seemingly throughout the world. The film tries to understand why it is becoming increasingly difficult to live within our cities, why lower socio-economic people can no longer be a part of an urban community due to extremely high rents and gentrification and what it means for cities if the middle class is also unable to meet the increasing monetary demand.

Leilani Farha, UN Special Rapporteur on Adequate Housing travels globally investigating housing issues in regard to the concept of the right to adequate housing. Her interviews and reconnaissance missions with vulnerable people who live with housing issues such as rodents and leaks, paints a bleak picture of intimidation and bullying tactics by powerful landlords or organisations who put profit over people. It’s not just a city issue either, the buying of rural land then forces urbanisation, a vicious cycle that pushes people further into poverty – something that a human rights framework tries to rectify. The film reveals some shocking statistics that provide some reason as to why this is becoming such a massive global issue. For example over the past 30 years, Toronto housing prices have increased 425% despite family income only increasing by 133% which is pushing tenants to the margins of affordability and indeed liveability. Multi-million-dollar properties owned by foreign corporations in inner-city London and surrounds is jaw dropping, their empty shells lending shelter to homeless people and squatters.

Push is insightful viewing into how international human rights conceptions of the right to housing is not being met by States and how this impact upon not only the most vulnerable people within society but how it ultimately has a ripple effect through community thereby affecting us all.