USA and Canada – Samaya Argüello

Unsettled: Seeking refuge in America

Unsettled: Seeking refuge in America

Directed by Tom Shepard

Tom Shepard’s internationally award-winning documentary Unsettled: Seeking refuge in America opens with screaming and yelling and it quickly becomes apparent that a crowd are turning violent towards a young gay African male. The sentiment that ‘love is love’ does not ring true in the 70 odd countries where it is illegal to be lesbian, gay or transgendered. In fact, in four of these countries, if you are anything but heteronormative it is likely to be a death sentence.

The documentary follows the story of four LGBTQ asylum seekers fleeing persecution and mortal danger to San Francisco and attempting to start their own lives in the shadow of what they needed to leave behind – including family members who are violent and see nothing wrong with persecuting their children often under the guise of religion and culture.

Subhi Nahas left Syria when, in 2012, Al Qaeda affiliated groups targeted and killed young gay men, causing him to flee to Lebanon and then later Turkey where even former friends turned ISIS members threatened to kill him. Partners from Angola, Cheyenne Adriano and Mari N’Timansieme, had to leave after a family member tried to poison their food fleeing to the US first on student visas and having to apply for asylum from within the US which has its own complexity. Junior Mayema’s mother preaches against homosexuality in the Democratic Republic of Congo where violence is often used against gay members of society, and when harassed by the police UN decided to expedite his application for asylum.

Shot over four years it is clear that they are not alone in their journey to settle in the US, yet it is very difficult. Refugee and asylum advocates assist them in trying to not only find their place in their new home but to also navigate the inevitable bureaucratic process of seeking asylum – including the transition from Obama to the Trump administration. Since 2016 only an estimated 30% of asylum applications are successful so for Cheyenne and Mari it is a particularly harrowing time. As Junior experiences, even with an asylum visa it’s still not easy navigating life in a new country especially faced with the possibility of homelessness.

Unsettled: Seeking refuge in America is a tale of constant struggle and survival, but it is also a tale of hope that is offered in a new land that – for now – allows them to stay true to themselves.

For They Know Not What They Do: a review

Version 2 — film still, courtesy of QueerScreen

For they Know Not What They Do

Directed by Daniel G. Karslake

Following the United States Supreme Court’s ruling on marriage equality in 2015 there has been a concerted campaign to curtail LGBTQI+ rights, notably under the guise of religious freedom. Daniel Karslake’s film For They Know Not What They Do is an insight into the way in which religion, such as the values of the Evangelical Christian American, deeply impact the culture and politics of the US around LGBTQI+ identity and sexuality.

Taking the title from ‘The Gospel According to Luke 23:34’, which is often referred to as the ‘Words of Forgiveness’ the documentary focuses on the story of individuals who have come out to families who are deeply religious and who share their stories of trying to navigate not only familial expectations but community expectations as to their own identity. Some, such as Ryan Robertson seek solace in controversial conversion therapy that proclaim to ‘cure’ through scripture any non-heteronormative identities. Others, such as Sarah McBride who became the first transgendered women elected to public office in Delaware, become strong transgender advocates and raise awareness around LGBTQI+ rights in what can be argued to be a very politically conservative country.

The impact of religious attitudes towards LGBTQI+ rights are evident where there exists the ‘No Promo Homo Laws’ in some states such as Arizona and Texas which prevents teachers from discussing anything to do with identity and sexuality that is not heteronormative. Other states aggressively passed legislation under the guise of protecting religious freedom as a constitutional right which conversely limits LGBTQI+ rights in allowing for discrimination, examples included bills debated such as the ‘bathroom bills’ in North Carolina allowing for ID checks before entering into a bathroom designated as either ‘male’ or ‘female’.

Using fear and discrimination to propel community discussion around transgender identities saw political advertisements freely played on television stations across the nation and it’s apparent that the fearmongering creates a palpable level of concern amongst communities as to their own safety. Indeed, the danger surrounding the LGBTQI+ community in the US is also explored with Vico Baez Febo’s experience of a hate crime in Florida as well as Elliot Porcher inflicting self-harm on himself.

For They Know Not What They Do also interviews family members who themselves were grappling with their children’s sense of identity and explores how it might challenge their own deeply held belief system. Interspersed with interviews from other human rights advocates – including religious figures seeking to denounce religious extremism cloaked as piousness – the film examines the increase in hate speech and discrimination since the controversial 2015 ruling.

For They Know Not What They Do is compelling watching, not just for the individual stories who offer forgiveness and hope and understanding but in order to understand the massive issues that they face in contemporary US society – where religion is used actively to discriminate and to create fear and mistrust.

Originally published here.

Do Not Resist, Human Rights Film Festival Review

Do Not Resist | Craig Atkinson

The opening scenes of Craig Atkinson’s Do Not Resist are confronting in their similarity to scenes of war. Heavy military grade transportation – Mine-Resistant Ambush Protected (MRAP) vehicles – roll down streets. Police wearing what appears to be military-issued gear fire tear gas into a crowd of protesters where children are present. Cars are set alight and the sound of shots ring out over and above the sound of screams and sirens.

Welcome to Ferguson, Missouri, United States of America. The site where protesters gathered peacefully calling for justice in regards to the 2014 shooting of Michael Brown, an unarmed black teenager shot six times by police officer Darren Wilson. Wilson was later exonerated by the Grand Jury for any wrong doing.

Surprised with the excessive police response? Don’t be.

Do Not Resist by Craig Atkinson focuses on the increasing militarisation of the police force in the United States and the very real possibility that they are being turned into an occupying army.

Atkinson notes that since 9/11 the Department of Homeland Security has provided police departments with over $34 billion in grants to purchase military-grade equipment.

This has been supplemented by $5 billion in free military equipment from the Department of Defense resulting in a police force that looks, and acts, like it is at war; deviating dramatically from the idea of protecting and serving their own communities.

The film features interviews with an assortment of law enforcement characters, however most concerning is the rhetoric from Dave Grossman, a US Military and Law Enforcement trainer, whose central argument revolves around the idea that the police are at war – spurring on the purchasing of military-grade weaponry in order to protect themselves.

Do Not Resist is compelling to watch and one wonders just how far the militarisation can go given it’s already seemingly well embedded within the police force and supported by endless pockets.

Do Not Resist screens on Wednesday 17 May at ACMI (Melbourne).

View the trailer:

Originally published here.

HRAFF 2014 Film Picks

This article was originally published at Right Now: Human Rights in Australia, an edited version is below.

HRAFF 2014

HRAFF movie reviews by Sonia Nair, Maya Borom and Sam Ryan.

With the Human Rights Arts and Film Festival just days away, the Right Now review team pick out some of the most intriguing films from the extensive 2014 HRAFF program, which offers the usual feast of informative and inspirational stories.

The Square

During 2011, the call to revolution rang out in Egypt’s renowned Tahrir square. Thousands of people called for an end to over 30 years of emergency laws and demanded the resignation of Mubarak and his regime from power. The protests started out as a peaceful sit-in but turned into one of the bloodiest revolutions in the nation’s history.

Jehane Noujaim’s The Square goes behind the scenes of the revolution, from the early stages of planning the occupation of Tahrir square to the 2012 presidential elections won by the Muslim Brotherhood’s Mohammed Morsi, and disaffection with Morsi’s rule in 2013. It becomes clear that there are competing agendas and interests in ensuring the revolution is successful – graphic footage captures civilians deaths at the hand of military whilst back-door deals between the Muslim Brotherhood and the military seemingly undermine the purpose of the revolution against corruption.

Featuring on-the-ground footage that has rarely been shown on mainstream media (if at all), as well as interviews with key organisers of the Tahrir demonstrations, The Square is an important document of a bloody era of modern Egyptian history. It captures the people’s struggle for democracy against an increasingly difficult political situation and provides insight into the hopes and dreams of millions of Egyptians who supported the revolution – some with their lives.

The Square screens 6.30pm, Thursday 8 May at ACMI. View the trailer:

The Internet’s Own Boy: The Story of Aaron Swartz

Brian Knappenberger’s investigative documentary The Internet’s Own Boy tells the story of Aaron Swartz, widely known as an American hacktivist and one of the founders of Reddit. Swartz was also at the centre of one of the biggest legal cases in US copyright history and found dead in his apartment after refusing to plead guilty to charges.

Swartz’s interest in systems and open data led him to advocate for open access to information and actions that eventually led to a tug-of-war involving the government and corporate copyright interests.

The documentary features interviews with family, friends and experts that provide insight into Swartz life, from an early age through to the days leading up to his death. It also illustrates the extent to which the United States government and commercial entities will go to protect commercial interests.

The Internet’s Own Boy raises important questions about the right to information – who owns information and who has the right to determine whom can have access to it and when.

The Internet’s Own Boy: The Story of Aaron Swartz screens 6.15pm, Thursday 15 May. View the trailer:

Afghanistan from the Cold War through the War on Terror by Barnett R. Rubin

This article first appeared in the London School of Economics and Political Science Review of Books

Barnett R. Rubin’s Afghanistan From the Cold War through the War on Terror is an essential read for those interested not only in the socio-economic and political history of Afghanistan but also for those interested in the role that foreign powers can have on a state, writes Samaya Borom. Essays cover human rights, security, the narcotics trade, and post-conflict statebuilding.

Afghanistan from the Cold War through the War on Terror. Barnett R Rubin. Oxford University Press. April 2013.

Find this book:

Not long after the 24th of September 2001, a Central Intelligence Agency operative carried $3 million in cash into the Panjshir Valley to disperse money to Afghan commanders to try to overthrow the Taliban and to ensure strategic alliance with the United States. After the funds were initially dispersed, the CIA Counterterrorist Center dispatched $10 million more and as the cashed up commanders exchanged their USD funds for local currency they flooded the market, devalued the dollar and effectively crippled Afghanistan’s economy.

The insights revealed throughout Barnett Rubin’s Afghanistan, from the Cold War through the War on Terror come from essays collated over more than a decade whilst Rubin was employed by the Council of Foreign Relations and the Center on International Cooperation at New York University, and crucially while he was also acting as a consultant to the United Nations mission to Afghanistan. Rubin is a world renowned political science expert, if not the expert, on Afghanistan and it is his intimate understandings of the country and the international and domestic political forces that have shaped it (and continue to shape it) that make this book a must read.Rubin’s previous book, The Fragmentation of Afghanistan: State Formation and Collapse in the International System detailed the troublesome period of Afghan political history from the 1978 coup to the fall of Najibullah and the subsequent mujahideen taking Kabul. His newest collection of essays on Afghanistan cements his standing as a pre-eminent scholar of contemporary Afghan political history. The introductory chapter provides an illustration as to how deeply involved Rubin is with the country, from speaking to refugees camped by the road after fleeing fighting in Kabul to attending a meeting of the US State Department shortly after the 9/11 attacks and listening to intense debate about the role the US could or should play in nation building.

Though the book was written over a timespan of ten years, a common thread exists between the essays in that Afghanistan and its people have been shown to have suffered tirelessly and often needlessly at the hands of people and groups funded by powers that work towards an unseen strategic roadmap. It is a subject that Rubin revisits in most essays and is backed up with comprehensive evidence or references so that the collection is not merely looked upon as a collection of memoirs but rather a solid reference material in its own right.

An elderly Afghan man at an International Red Cross Distribution camp. Credit: United Nations Photo. CC BY-NC-ND 2.0

In the chapter “Blueprint for Afghanistan” Rubin explores how the country’s lack of monetary transparency or accountability allowed for international terrorism to gain a foothold in the region. Increased global awareness of the country saw a decrease in domestic participation in governmental and non-governmental institutions. The increase in external interest in ‘assisting’ Afghans to build institutions often saw donor and non-governmental agencies establishing themselves with relatively little frameworks in place to ensure that the requisite Afghan participation in activities occurred. The appearance of external groups on local real-estate markets was often disastrous and Kabul saw rent increases from $100 to $10,000 per month to accommodate the influx – to the detriment of local establishments who were unable to compete with the inflation and had to either move elsewhere or dissolve.

This chapter segways nicely to “The Politics of Center-Periphery Relations in Afghanistan”, co-researched with Helena Malikyar, an independent researcher and writer based in Kabul with extensive experience on governance related projects with the United Nations and USAID. It argues that the current administrative approach of the government is not a new approach, and that the country often looked to foreign support in order to maintain balance and control. This background proves essential in moving forward through subsequent essays that broach topics such as the difficulty in crafting a Constitution as a roadmap to re-establishing government institutional processes, and implementing and deploying a successful strategy to deal with insurgents where the occupying foreign forces disagree with local government.

The essays covered in the book vary in length and detail, however are all clearly well-researched. It is common for Rubin to include figures and graphs where referring to economic indicators or reconstruction efforts and these help to paint an intimate image of the Afghanistan he so clearly feels deeply about. Rubin’s professional standing, both at the international and domestic level, afforded him access to people and areas outside of the normal writer/researcher gaumut and this has allowed him to present material rich in observation as well as facts. The essays themselves work seamlessly together which is fortunate for the reader as it provides an authentic aggregated view of Afghanistan.

Barnett R. Rubin’s Afghanistan From the Cold War through the War on Terror is an essential read for those interested not only in the socio-economic and political history of Afghanistan but also for those interested in the role that foreign powers can have on a state.